Remember to check out Part 1 in order to learn about the context in which Who’s Next was born.
Doing a quick recap, Pete’s “Lifehouse” project had failed to materialize and it had exhausted the band while driving him to a nervous breakdown. The Who decided to salvage what they could and had Glyn Johns assemble a single disc with the best of the new material.
Glyn Johns did something more than assembling the disc that we know as “Who’s Next”. He actually produced it, and his expertise was specially noticeable when we compare this record with any of the albums that Lambert had mastered. It comes as no surprise that Lambert never produced a Who album again. His lack of technical skill, his lax bookkeeping, his growing disconnection with the band… he (and partner Chris Stamp) would be out of the picture within a year. And a lengthy litigation would ensue. Continue reading →
Pete Townshend was always one to push boundaries. After conceiving the first rock opera in history, it was only natural that he would continue leading The Who into uncharted territories. But this time there would be trouble ahead, for the first time in his artistic career.
As everybody and his wife knows, the album we know as “Who’s Next” is nothing but the salvage job of a project of Pete named “Lifehouse”, a project that would finally be realized in the year 2000 with Pete’s solo release of the “Lifehouse Chronicles” boxed set, and that was to resurface in several guises all through the years before that. Continue reading →