Alabama has gone down in history as the most successful group in the history of country music. That is, in a scene that has traditionally been dominated by single performers they did give collectives a definitive chance to push the boundaries of the genre, and the way it has always been perceived.
I was overjoyed to find this compilation when I traveled to Argentina to attend an Elton John gig during The Rocket Tour, if only because not a single disc by them is available where I live. You might think that is strange, but what would you say if I told you that there are no albums by Garth Brooks either here? The ones I have are all imports. That reminds me I live in the opposite end of the world, but it makes me place a high value on these albums that I import, while it also makes me do my homework and figure out which ones could be sound purchases. Coming back to this compilation, when I bought it I knew I was only getting a part of the story that (while compelling) is not necessarily the defining one. Any compilation that hasn’t got “Mountain Music”, “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” and “Dixieland Delight” (their calling card in South America) is incomplete by definition. It’s like watching Star Wars and omitting the part when Darth Vader reveals he is Luke’s father. In a sense it doesn’t matter because everybody and his wife know that by now. With this compilation, it is the same – everybody knows these compositions I have mentioned by heart. Every single person who is into country music is more than familiarized with them. Continue reading