A band that operates in Glasgow, Natalie Pryce has just issued its first single. It’s a double A-sided release, made up of the songs “Janine” and “Bisclavaret” – two cuts that fittingly convey the band’s blend of jazz, blues and punk.
The dual essence of this release serves a specific purpose, namely exhibiting the band’s keenness on dichotomy, and establishing a ground where symmetry can be analyzed without compromises or apologies.
The tandem works as intended, as affection and abjection and are explored back and forth between these two compositions, resulting in the blackest of whites and vice versa.
For a limited time only, you can download both songs on the band’s website at no cost. And you can stay posted on their latest releases on Facebook and Soundcloud. [click to continue…]
A band defying the tradition which dictates that groups with the word “electric” in their names shall perish when they’re young (see “Electric Flag” for a good example), “Ovejas Eléctricas” [Electric Sheep] up the ante with the release of a new promotional video.
It revolves around the song “Ser Astronauta Hoy” [To Be A Spaceman Today], and it has been extracted from their album “Pueblo de Fantasmas” [Ghost Town], which you can download for free on their own site.
A Spanish-language album which sounds noticeably English, “Pueblo de Fantasmas” is made up of ten songs – the CD was actually started as an EP that got expanded along the way, becoming a full work on its own right. At least half the numbers are A-side quality – the physical opener “Larga Distancia” [Long Distance] with its clinging guitars and defeatist lyrics that still speak of fulfillment, the broody, Radiohead-esque “Un Pie En La Tierra” [One Foot In The Earth], “Entre Máquinas” [Between Machines] with vocals and melodies that soar as much as the lyrics demand… My personal favorite is “El Sol y Otras Mentiras” [The Sun and Other Lies], mainly on strength of the lyrics, which recapitulate the one conversation I had with the band in person not so long ago, and their stance as regards the contemporary music scene. And the seesawing fade (from minute 3:50 onwards) is also a good example of the attention they pay to detail when crafting their songs.
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