Greatest Hits – The Style Council

This Style Council Compilation Was Released By Polydor In The Year 2000.

This Style Council Compilation Was Released By Polydor In The Year 2000.

This “Greatest Hits” package was released by Polydor in the year 2000, and the title is a bit of a misnomer – it is a singles collection, and some of these singles (like “Life At A Top People’s Health Farm” from the “Confessions Of A Pop Group” album) were not just flops – they will always stand as the absolute nadir of Paul’s career.

In any case, the early years of the band (IE, the time when they were in top form) are satisfactorily documented here, as the many non-album sides like “Speak Like A Child”, “Money Go Round” and “A Solid Bond In Your Heart” are featured. “A Solid Bond In Your Heart”, incidentally, was also recorded by The Jam during one of their final sessions together. That version remained unreleased until it was included on the “Extras” disc in 1992.

The compilation also has the superb “My Ever Changing Moods”, a top 30 hit in America. It was Weller’s one and only composition to reach those heights. Not even the Jam could crack that market in their heyday. The song is certainly praiseworthy, with a lyric in which individuality becomes a limitless expression of collectiveness and the character’s ever changing moods represent nothing but the consolidation of immutable acceptance through history. I think the song will always be the best exponent of Weller’s socialist beliefs, and the finest exposition of his conviction that those principles could lead to an eventual change of mentalities.

Of course, songs like “Walls Come Tumblin’ Down” and “The Big Boss Groove” put across the same message in a more direct language. So does the sardonic “Come To Milton Keynes”. Continue reading

The Style Council – General Introduction

The Core Style Councilors - Mick Talbot, Dee C. Lee, Steve White And Paul Weller

The Core Style Councilors - Mick Talbot, Dee C. Lee, Steve White And Paul Weller

Paul Weller quit The Jam at the height of its fame in 1982, and he changed direction as markedly as he could by forming The Style Council. He went from fronting a power trio to becoming a member of a jazz-pop quartet. The change was marked, but not that abrupt – the final Jam album (“The Gift”, 1982), some A-sides like “Beat Surrender” and several late-period B-sides (many of which are found on the “Extras” compilation) show us that the sound of The Style Council was a natural destination to arrive at for someone who loved jazz, soul and Motown as much as good old rock & roll.

He made a deliberate attempt to avoid being placed on the epicenter of it all by bringing a keyboard player in, and letting him have an equal creative role. The one he chose, though, made many fans roll their eyes in disbelief – Mick Talbot had been a member of The Merton Parkas, one of the worst Mod-revival bands of the late ‘70s. Talbot was treated as an equal by Weller all the way through, even when it was evident that Paul had not brought a McCartney (or even an Entwistle) along for the ride.

Paul Weller & Mick Talbot

Paul Weller & Mick Talbot

The remaining councilors were to be singer Dee C. Lee (who was to eventually marry Weller) and drummer Steve White. He remains one of Paul’s most loyal collaborators to this day. Incidentally, he is the older brother of Alan, the drummer for Oasis during their glory days. Continue reading

Paul Weller: The Unauthorised Biography (Steve Malins) – Book Review

This Unofficial Biography Of Paul Weller Was Published In 1996 By Virgin Books. The Biographer Is Steve Malins.

This Unofficial Biography Of Paul Weller Was Published In 1996 By Virgin Books. The Biographer Is Steve Malins.

Written by Steve Malins (best known for being the biographer of Depeche Mode) and published by Virgin Books in 1996, this book chronicles Paul’s entire career until the release of the “Stanley Road” album in 1995. You also have a good overview of his early years, and the ever-present figure of his father (who was to remain Paul’s manager right until he passed away in April, 2009). That was something I really liked about the book – the way the (quite unique) partnerships in music of a father and a son that lasted for more than 30 years can be seen as it was forming, consolidating itself and then when it was tested by commercial apathy only to stand stronger than ever.

The book has 9 chapters which map out Paul’s life and career clearly enough, with the Jam having the most extensive ones as it is only suitable (pardon the pun). The Style Council’s years receive the right amount of pages, too, and the flow is very convincing – how the band lost its edge gradually, and how Paul became isolated in his own (and misguided) artistic sense. The final segment touches upon his tentative steps as a solo artist (“The Paul Weller Movement”) and the subsequent successes of “Wild Wood” and “Stanley Road”. Continue reading