Los Amigos Invisibles (Sordromo) – Uruguayan Music

by Emilio Pérez Miguel on June 28, 2010

“Los Amigos Invisibles” was Sordromo’s Final Album. It Came Out In 2004. Julio Berta Had Been Replaced By Martín Craciun, But Otherwise It Was The Same Lineup.

Sordromo’s fourth (and valedictory) album, “Los Amigos Invisibles” [“The Invisible Friends”] contains some of their best music together, but also a number of compositions that sound like nothing but rehashes of songs they had previously offered up. These compositions do not dominate the album in any sense, but they speak of a strained creative process, and upon listening to the album today it becomes evident why Rodrigo Gómez left the band shortly after the album had been issued.

To shunt the negative songs out of the way once and for all: “Lejos De Casa” [Far Away From Home] derives its melody and tonal structure from the song “Desnorteados” from the previous album, only that this time it lacks all punch. “Tanto Control” [So Much Control] and “Llamame” [Call Me] are clear examples of volume that tries to convey sentiment and that only ends up conveying patchiness.  “Nota Para Un Viaje” [Note For A Travel] is no much better, but it is placed right before the first truly good composition of the album (the title track), and there is a thematic bond at play that makes it more palatable.

But the one song that can’t be stomached no matter how much you try is “Un Secreto” [A Secret], where Sordromo apes the brit sound of bands like Astroboy. This song alone tarnishes the first side of the album irrevocably – and most of the compositions I criticized above were already segregated there to begin with.

Still, it is on the first side of “Los Amigos Invisibles” where we find one of Sordromo’s most memorable hits, “Lucerito” (a tale of broken farewells and reconstituted memories). The song has really exciting dynamics, and the breaks are as good as the ones found on “2 + 2= 3”, where the drums virtually jump from the speakers and run over you.  And the first side also hosts the angsty “El Filo Del Tiempo” [The Edge Of Time], a song that anticipates the hat trick that will close the album. “La Calma Y La Tormenta” [The Calm And The Storm], “A Punto De Equivocarme” [Just About To Make A Mistake] and “Inevitablemente” [Inevitably].

The three songs are linked by the despondency of the lyrics, and in “A Punto De Equivocarme” [Just About To Make A Mistake] Rodrigo’s voice sounds as if he were about to break down at any moment. It is a song in which emotions strafe the listener, and not a single bullet misses the target.

It works perfectly as the prelude to “Inevitablemente” [Inevitably], of course. The song is rendered solely by Rodrigo (he sings and plays the acoustic guitar), and his voice sounds bitten, as if after the previous caterwaul of emotions he has finally wiped the tears away, but tearing a bit of skin in the process. The song makes me think a lot of The Smiths’ final song, “I Won’t Share You”. Similar circumstances (creative differences), same message (it was good until it lasted, but that was it).

I have to applaud Rodrigo’s courage to call it a day. I think the band had nowhere to go after this point, and they quit before making any horrendous blunder. That is a lesson many bands do never learn.

I am rating this album as high as the previous one – although I enjoy “Salvando La Distancia” more in general, this disc has some isolated moments that surpass the best music that they had devised up to that point. And maybe you can’t tell from the reviews I have written and how critical I have been of them, but Sordromo is probably one of my favorite Uruguayan bands ever. The fact they ended at the right time, without cheating themselves or their fans speaks books. And their body of work must be among the most consistent you can listen to in the immediate history of Uruguayan music.

Rating: 7.5/10

Sordromo’s official site is found here. And this is their MySpace profile.

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