In many ways, Natalie’s debut can be named “predictable”. That is, it has the share of compositions that the debut album of anybody who has been in a band for years will have – IE, songs which are not that detached from the original vision of the band. Yet, Natalie was the dominant voice within the Maniacs. Maybe it would be more accurate to say that the Maniacs’ albums without Natalie are the ones were the influence is felt the most, as those albums (notwithstanding how excellent they are) seem overtly attached to Ms. Merchant’s approach and sensibility. Continue reading