Today I bring you a really complete interview with Jason Grunstra from JamCloud, the revolutionary service for enjoying music and videos collectively that I profiled last week on MusicKO. I sincerely thank Jason for having taken the time to answer everything so thoroughly. You can read the first part of the interview below; the second part is here.

Full Name: Jason Grunstra
Age: 33
Startup: JamCloud
Position: Co-Founder & CEO
PART I
THE STARTUP
Tell us a little about your startup. How was it conceived?
JamCloud was created as a way to harness the massive amount of media that already exists out in the cloud and collect and organize those items that you love from various content providers into one unified player.
What are its most distinctive features in your opinion? Does JamCloud lend itself to more than listening to music? Who else could benefit from it?
Overall I would say that the most distinctive thing when you first use JamCloud is really the overall app itself in that it is really intuitive, easy to use and just looks great. If I had to choose a specific feature I would probably say the discovery tools that we’ve come up with give people multiple ways to discover some really great music and videos that they may have never otherwise heard of before. Tapping into the collective knowledge of friends and peers really helps bring some hidden talent to the surface.
Music is certainly the first thing that comes to mind when using the app. But when you think about it, JamCloud is actually the perfect app to use for any type of content that is fun to watch with others. Comedy routines is a great example – everyone loves to laugh with friends. Or sports highlights is another example where users can chat in real-time as they watch the same sports clips that are synced up across multiple peoples computers. JamCloud really creates an environment where you can socialize with others about any interest really. Or how about animated short films? We even have a group that shares woodworking videos with each other and get inspiration from others for their own projects. The possibilities are limitless.
So far, in which countries has JamCloud been better-received?
We started with the US audience since that’s where we are based, but we’ve had a really good reception in Canada, Germany and the UK. Many times people outside of the US will see a new music platform spring up one day to only to get shut down a few months later due to the record labels clamping down and I think those people are just plain tired of it. With JamCloud since we aren’t the ones providing the actual content we are able to reach an international audience without any problems. We’re just finishing up work on translations for the application into Spanish, German, French and Japanese. Continue reading →