Tag Archives: Music

YouTube Now Features A Recommendation Engine For Music Videos

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As many of you probably noticed, YouTube’s music page has been overhauled, and a key feature has been added: a recommendation engine for music videos based both on your settings, preferences and these clips that your friends are sharing.

In practice, this turns YouTube into a tool for discovery that makes me think a lot of the days in which MTV actually played music.

Such a move was long due in the face of competing services such as The Hype Machine and Pandora, and it was somehow announced just a couple of weeks ago with the release of LeanBack (a service for discovering videos based on what your friends are watching). Continue reading →

SoundzAbound – A Royalty-free Library Of Music For Educational Purposes

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SoundzAbound

Name: SoundzAbound
URL: http://www.soundzabound.com

Education is the true cornerstone of any society, but that doesn’t mean that educators have all the advantages they should have for doing their jobs as thoroughly as they need to. There are many parts of the world in which the remuneration they receive is out of proportion with the task they have to undertake. They can’t really afford to create materials for their students that go beyond a certain point of refinement.

SoundzAbound is a resource that solves that problem to some extent. It’s a library of music, audio themes and sound samples that can be used at no cost – provided the uses these are put to are always educational ones.

In this way, educators can create powerpoint presentations, podcasts and audio guides in a more confident (and certainly richer) way. Continue reading →

The iPhone 4 Antenna Song (Video)

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The Way You Should Hold An iPhone 4 In Order To Avoid Antenna Problems. Either That, Or Get A Case.

The Way You Should Hold An iPhone 4 In Order To Avoid Antenna Problems. Either That, Or Get A Case.

Many touted the release of the iPhone 4 as one of the events of the year. It turned out they were right – the amount of press we have seen over the last month was unprecedented, but for all the wrong reasons. The iPhone 4 proved not to work if held in a certain position, and that made things tricky for right-handed people, and downright impossible for left-handed ones.

Reports began springing up incessantly until Dave Letterman himself did a parody of the whole situation, and a consumer report advised people to buy an iPhone 3GS instead. At that point, Apple swung into action fast. Earlier today they held a conference in which Steve Jobs acknowledged that the problems existed, and that customers were to receive a free case that prevents the problem of blocking the antenna from happening.

But before the announcement was made, Internet performer Jonathan Mann (known for recording and releasing one song a day) had time to write a song about the whole antenna fiasco and post the video for all to see on his site. It is named “The iPhone Antenna Song”. Will it go down in history as the official soundtrack to antennagate? Judge it for yourself:

Greatest Hits (1993) (Tom Petty)

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The First Anthology Of Tom Petty & The Heartbreakers Will Always An Excellent Introduction To Their Music. One Of The "New" Tracks ("Mary Jane's Last Dance") Became A True Staple.

The First Album That Anthologized Tom Petty & The Heartbreakers' Work, "Greatest Hits" (1993) Will Always Remain An Excellent Introduction To Their Music On The Whole. One Of The "New" Tracks ("Mary Jane's Last Dance") Was To Became A True Staple In Its Own Right.

Tom Petty’s very first retrospective, “Greatest Hits” (1993) would become one of his best-selling albums ever. It included all the seminal tracks he recorded both with the Heartbreakers and as a solo artist. These include “American Girl” and “Breakdown” from the debut, the four best tracks from the breakthrough album “Damn The Torpedoes” (Refugee”, “Here Comes My Girl”, “Even The Losers” and the ultra-successful “Don’t Do Me Like That” – is it me, or it has been slightly remixed?) and the sole hit from “Southern Accents”, “Don’t Come Around Here No More”. It also has two of his best ‘80s tracks in the shape of “The Waiting” and the synth-soaked “You Got Lucky”.

Finally, “Learning To Fly” and “Into The Great Wide Open” come from “Into The Great Wide Open” (1991) and the three best cuts from Petty’s only solo album up to that point (“Full Moon Fever”, 1989) are featured (“I Won’t Back Down”, “Running Down A Dream” and the dizzying “Free Falling”). Continue reading →

Mixest – The Best Way To Discover Indie Bands As They Surface

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Mixest

Name: Mixest
URL: http://www.mixest.com

By now, you probably have your favorite sites for finding independent talent. Maybe you resort to this one, or maybe you have bookmarked some other website that serves that purpose. There are enough of these spread all over the WWW to keep everybody happy. And you can argue whether or not the one I am reviewing now is indeed “the best way to discover indie bands” as I say in the title. But I frankly don’t think there is one which  is as easy to get to grips with as Mixest. When you land on its homepage a clip will start playing automatically for you to enjoy. When that song finishes, another will begin playing. And so on. You aren’t required to input anything or hit a single key if you don’t want to. You can head straight to the site and leave it open as you go your merry way. When (and if) something that has you tapping your feet and/or banging your head starts playing it is a mere matter of clicking on the window again to see who it is, and make a mental note.

But the best parts of the whole service are unearthed only when you are willing to interact a little with the service, of course. You can favorite each single track that you like, and you can even use a “Block” button in order to prevent someone who is as tuneful as The Vibrators ever coming through again.

In order to favorite anything you must first create your own account. That costs nothing – just pick a username and a password and you will become a Mixest user as quickly and sure as night follows day. From then on, you will be ready to start building a library of indie artists of its very own.

Kilian Valkhof (Lystener) – Interview (Part 1)

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Last week I caught up with Kilian Valkhof from Lystener, a startup offering an innovative way to find and share lyrics that I had reviewed the previous week.

We talked about his project, and also about his relationship with music. A special emphasis was placed on the way he perceives lyrics, of course.

This is Part 1 of the interview. Part 2 (where we talk about music) can be read here.

Kilian Valkhof, The Creator Of Lystener

Kilian Valkhof, The Creator Of Lystener

Full Name: Kilian Valkhof
Age: 22
Web App: Lystener
Position: Founder

PART I

THE  WEB APP

Tell us a little about your web app. How was it conceived? What are its most distinctive features in your opinion?

I’ve always had a problem with the way lyrics work. Some music players can display lyrics and that’s great, but there’s always one that doesn’t work as well as it should.

You can also google lyrics. This means you have to type in the artist and song title (because somehow they’re never copyable from music players) and find a working site that doesn’t have a bunch of ads and spam. Then, if you want to actually do something with the lyrics, like, copy them, most sites block that too! If you want to share lyrics on facebook, for example, you end up typing them yourself.

Lystener fixes both these problems. No typing needed to find the lyrics to the song you’re listening to now, because I just ask last.fm what you’re playing, and it updates automatically. When you select the lyrics you like, you can post the part you selected to facebook or twitter with a single button.

What was the original launch date?

I launched it on monday the 28th of june, after a week of private beta.

What has been the response so far? In which countries has it been more successful?

Twofold actually. People love the application but the lyrics database isn’t really big, so if you’re like me and listen to lots of unknown stuff, you’ll have to do without lyrics every now and then. There are ways to easily add them though, and I’m going to expand on those to make adding lyrics yourself even easier. When you have lyrics though, people are delighted because everything works very smoothly, reading lyrics, selecting lyrics, sending lyrics, it all happens in one flow.

As far as countries go, English speaking countries lead by a large margin. Continue reading →

RostbiF (Uruguayan Unsigned Artist) – Part 2: The Music

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As I am sure you read in the first part of this article, RostbiF is a hard rock band that hails from Nueva Helvecia (an inland Uruguayan town). The guys cite AC/DC, Deep Purple and ZZ Top as their main references and musical heroes, and their sound is an effective amalgamation of what these bands have played since their inception.

RostbiF Playing Live: Lukas Künzler, Pablo Gonzalez, Mauricio Rode & Guido Quintela

RostbiF Playing Live: Lukas Künzler, Pablo Gonzalez, Mauricio Rode & Guido Quintela

The band comprises Lukas Künzler (lead vocals and rhythm guitar), Pablo Gonzalez (lead guitar), Mauricio Rode (bass) and Guido Quintela (drums).

I am actually acquainted with the guys since Guido e-mailed me about a year ago asking for some lyrics. I did like the fact that they were aiming for compositions that had a certain social content, and I was keen to try something different to the traditional romantic themes I have always used to favor. Thus, “Rebellion Winds” and “These Eyes” were conceived.

One thing that comes across when you listen to their music is how much they are enjoying themselves. They are no virtuosos, they know it, and that is not the point to begin with. They make up for it with a lot of stamina and passion: Guido hits the bass drum as he if were kicking a plancha in the mouth, the bass has true bursts of vigor (specially when it gets some space as on “Rebellion Winds”, their finest composition so far) and the two guitars act as the main offensive line of the band. Granted, nobody would mistake the interplay between Lukas and Pablo as the one that characterized Tom Verlaine and Richard Lloyd, but they are clearly in the same wavelength. Plus, when singing Lukas sounds like a chain smoker who hasn’t had a cigarette in three weeks. Take all that together and the result is the soundtrack for throwing stones and Molotov cocktails at the police during a riot. No wonder I have never attended one of their gigs personally. The last thing I want is someone smashing a bottle willy-nilly in my head. Continue reading →

RostbiF (Uruguayan Unsigned Artist) – Part 1: Profile & Interview

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It is with great pleasure that I introduce you to the Uruguayan unsigned artist of this week: RostbiF. They are one of the bands I collaborate with, and I can tell you that they are passionate believers in the power of music.

This is their PureVolume profile.

Below you will find the first part of the article, in which they introduce themselves and answer some questions. My own analysis of their music is included here.

RostbiF Are Lukas Künzler, Pablo Gonzalez, Mauricio Rode & Guido Quintela

RostbiF Are Lukas Künzler, Pablo Gonzalez, Mauricio Rode & Guido Quintela

Band Information

Name: RostbiF

Genre: Hard rock

Band Members:
Lukas Künzler (Voice and rhythm guitar)
Pablo Gonzalez (guitar)
Mauricio Rode (Bass)
Guido Quintela (Drums)

Been Together Since: Juny 2009

Some Questions

Where does the name of your band come from?

It comes from playing with words and translating them from Spanish into German, but it has no real meaning. The first idea was “rost”, which means “oxid” in German, but we found it to short so we played a little bit with it and the result was RostbiF.

Is it possible to define or categorize your music? If you had to try, how would you do it?

Our music is a kind of mixture from different hard rock styles, it is based on bands like AC/DC, Aerosmith, ZZ Top, Deep Purple, Led Zeppelin… just simple hard rock.

In which ways could your music be deemed as innovative within the Uruguayan scene?  Is that a concern for you?

We think there is no real innovation in our music, we play hard rock the traditional way, that is the music we like to listen to. There is a difference from other Uruguayan bands in the influences, and the type of music we play, but there is nothing new or innovative in it at all.

In which sense being in Uruguay gives you an edge over musicians in other parts of the world? And how does it hinder you? Continue reading →

Lystener – A New Way To Share & Discover Lyrics

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Lystener
Name: Lystener
URL: http://www.lystener.com

OK, I am the first to admit that this site is not the greatest thing ever since Swiss Cheese came along, but I quite like it. That is probably because I am a lyricist and I can’t divorce a song’s music from its words, but even casual users could get something good out of it.

If we look at its roots, what the site lets you do is to input your Last.fm username in order for the lyrics to the song that you are listening at that time to be displayed. When that happens, you will be able not only to read them but also to share them with your friends.

That is not as superfluous as some of you might be thinking. For starters, non-native speakers of English (like me) often have trouble catching a word or two, even after years of listening to English music. That is something obvious – it is not the same listening to Liam Gallagher than listening to John Denver. Sometimes we frankly can’t get the words right. That is one use this site will certainly have. Continue reading →

Love Me Like The World Is Ending (Ben Lee) – Video

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Ben Lee

Ben Lee

I have just discovered this Australian artist, and I am certainly going to explore his discography further. His name is Ben Lee, and I caught wind of him thanks to his song “Love Me Like The World Is Ending”. That song was featured twice on one of the best shows I have watched recently, “Life Unexpected”. It was used to open chapters one and thirteen – the season’s premiere and finale.

The guy has got an incredible way with language, and he has achieved an equilibrium that I find extremely rare. He can play with words elegantly, and he can convey sentiments plaintively in equal measures. In short: he was perfect for a show like “Life Unexpected”, what with the story focusing on the complexities of life and the simple way in which love can solve just anything.

The song “Love Me Like The World Is Ending” exemplifies that perfectly. I am going to order both “Awake Is The New and Sleep” and “Ripe”. But if you are already acquainted with Ben and you think I should start elsewhere, please let me know by leaving a comment below.