Oasis: Revealed (Lee Henshaw) – Book Review

Oasis Revealed Lee Henshaw

"Oasis: Revealed" Came Out In 1996. Written By Lee Henshaw And Published By Parragon, It Covered Their Crowning Achievements As A Band.

This was the first book in English that I ever bought. That was fitting enough, as the first album I ever purchased was “(What’s The Story) Morning Glory?”. And the second one? “Be Here Now”. I had quite a story with the Gallagher boys and their gang when I was a teenager. I eventually disowned them, but good albums are good albums and deserve their share of praise. And as always, if you get to know the story behind the words and the music then the ties can become more endurable.

This book certainly made me feel an increased love for the band, even when it was (and will always be) a modest effort. It is not that revealing, to be brutally frank. It covers the story up until the band rocked Maine Road. That means it reaches up to 1996. Only “Definitely Maybe” and “Morning Glory” are covered as a result. You get a good glimpse on the band’s formative days, and all the obvious events and incidents (the fight on the ferry during their first European tour that resulted in the “Wibbling Rivalry” CD, the run-in with Blur, Knebworth…) are covered.

The obvious comparison is Paolo Hewitt’s “Getting High – The Adventures Of Oasis”. It covers the same period, but it is the “official” account. It is a far lengthier book, and you even learn about mother Peggy Gallagher and how she met Thomas, not to mention having a minute overview of the boys’ teenage years. In terms of content, it wins hand down. Continue reading

Definitely Maybe (Oasis) – Album Review

Bonehead's Front Room Was Captured In The Cover Of Oasis' Debut, "Definitely Maybe" (1994).

Bonehead's Front Room Was Immortalized In The Cover Of Oasis' Debut, "Definitely Maybe" (1994).

Oasis’ record-setting debut album came in 1994, at a time in which the reputation of the band had already turned them into cultural icons in England. Their early singles “Supersonic”, “Shakermaker” and “Live Forever” are included along with “Cigarettes & Alcohol”, a cut that captures their infamous swagger better than a hundred clippings. “Supersonic” was their first single, it made the Top 40 and Noel has termed it their own take on “I Am The Walrus” – IE, a lot of nonsense strung together. The first lines, though, do make a lot of sense and go hand in hand with “Cigarettes & Alcohol” towards defining their image of hellraisers: “I’m feeling supersonic, give me gin & tonic / You can have it all, but how much do you want it?”.

“Shakermaker” was their second single, and it resembled “I’d Like To Teach The World To Sing” more than fleetingly. It is widely considered as a misstep now, but the succeeding single was their first truly indispensable song: “Live Forever”. It established Noel’s predominant themes of individuality and unity (the classic “Us” Vs. “Them” dilemma that characterizes his output), and it was the first true ace the band laid on the table. It gave them their first Top 10 success.

The swaggering “Rock & Roll Star” did also receive considerable exposure, and it was one of the earliest songs Noel wrote for the band. So was the trippy “Columbia”, with some lyrics ostensible penned by Liam. Continue reading

Oasis – General Introduction

The "Classic" Line-up: Paul Arthurs ("Bonehead"), Noel Gallagher, Liam Gallagher, Alan White and Paul McGuigan ("Guigsy")

The "Classic" Line-up: Paul Arthurs ("Bonehead"), Noel Gallagher, Liam Gallagher, Alan White and Paul McGuigan ("Guigsy")

When I began the blog, I was certain the one and only band that I was very well-acquainted with that I was not going to cover was Oasis. They were the first band I really listened to – heck, I even bought my first CD player in order to listen to their albums.

My decision not to cover them was based on the fact that I sincerely believed I had nothing to say about them that could be kind. Although their early successes are indisputable, their whole image became nauseating to me to the point that I ended giving away many of their CDs. The “bad boy” attitude is very fine when you are a teenager, but there comes a point when you don’t look a rebel any longer but an outright cretin. Continue reading

Días Lúcidos (Lapso) – Uruguayan Music

"Días Lúcidos" Was Lapso's Sophomore Effort

"Días Lúcidos" Was Lapso's Sophomore Effort. It Was Better-produced Than Its Predecessor, And The Album On The Whole Feels Like A More Mature Work.

Lapso [Lapse] is an alternative rock band that hails from my hometown, Montevideo. Its sound has been nurtured mainly by bands such as the Red Hot Chili Peppers and Incubus. The first CD by a Uruguayan rock band that I ever bought was this one, actually, mainly on the strength of the single “Volver Atrás” [Turn Back]. It remains my favorite rock song by a Uruguayan band even after all this time.

“Días Lúcidos” [Lucid Days] was to be their second (and so far latest) album. It was first issued in 2006 by Bizarro Records. The band comprises Andrés Bianco on guitar, Guido Boselli on drums and Andrés Miranda on bass. The singer is Gonzalo Bouzout.

The album has 12 songs that are characterized by a focused view on human beings and the way they relate to each other as a ramification of the way they can (and can not) cope with themselves to begin with. This theme is announced by “Humano” [Human], the first track, and songs like “Mediocre” deal with aspirations and the lack of them in terms that some might deem a bit prosaic but which are effective nonetheless.

The single “Más Que Ayer” [More Than Yesterday] is certainly a high point, with a great arrangement and compelling dynamics that turn it into the most likeable moment on the whole CD. Continue reading

Month In Review – January 2010

I started the new year in the best possible way by adding R.E.M. and Pete Townshend to the main list of artists featured in MusicKO. “Out Of Time”, “Automatic For The People” and “Monster” have already been reviewed, whereas fans of The Who’s unique composer should check what I had to say about “Who Came First”, “Rough Mix” and “Empty Glass”. And the best is yet to come…

I also started reviewing music movies, with the brilliant “Once” being the first addition to what I sincerely believe will become a different section of the blog.

Startups reviewed this month included Digiclef, The Sixty One, Twt.fm, Jamendo and Spotiseek. An additional note of gratitude to Ian Cox from Digiclef and Kristofer from Spotiseek for accepting being interviewed. Continue reading

Kristofer (Spotiseek) – Interview

I’d like to share with you the interview I conducted with Kristofer from Spotiseek, the service from maximizing Spotify that I reviewed last week. I hope you like it!

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Full Name: Kristofer
Age: 25
Startup: Spotiseek
Position: Founder

THE STARTUP

Tell us a little about your startup. How was it conceived? What are its most distinctive features in your opinion?

Well, I love Spotify and their idea to make all music available to everyone. But one of the things that I felt missing, was an easy way of finding new music to listen to. There’s so much music out there, but I don’t know where to start!
So I figured I’d try to create a service for that myself, and I have to say it’s turned out better than I’d hoped…

The best thing about Spotiseek is obviously that it’s so easy to find music you’ll probably like, since it uses your artist of choice as the source for the search.

What was the original launch date?

I didn’t really have any set launch date, but have tried to improve it step by step, and focus on implementing features that people actually want to use…
I believe the site was first live in mid December, so it’s still in very young age.

What has been the response so far? In which countries has it been more successful?

The feedback I’ve received so far is way better than I had expected. My primary goal was to create a service that I would want to use myself, but I sure didn’t expect thousands of users! Continue reading

Apple Venus Part 1 (XTC) – Album Review

XTC's Penultimate Album Surfaced In 1999. It Was Titled "Apple Venus"

XTC's Penultimate Album Surfaced In 1999. It Was Titled "Apple Venus"

After a decade-long strike against their record company, XTC were finally released from their contract with Virgin. The question was how to present the material they had stockpiled over the preceding years. This was to escalate into a rift that ended with Dave Gregory leaving the band, as he disagreed with Andy’s notion that two separate albums had to be released. He did play on the first of the two discs that were to be issued, and he was credited as a session musician. The disc was named “Apple Venus Part 1”, and  Andy has described its sound as “orchoustic” – acoustic instrumentation mixed with elaborate orchestral arrangements. This is evident the second the disc starts spinning, as “River Of Orchids” couldn’t be described using better words. A whimsical tune, a multifaceted tune, a lovable tune. An XTC tune in all its essence. Andy deals once again with his hatred of automobiles in a string-led song that takes up 6 minutes of layered vocals and a permanent crescendo where climax after climax is reached.

The song is immediately counterbalanced by “I’d Like That”, the one cut that everybody liked on the record when it was issued. Because the album had some detractors that were expecting a harder sound, and when they finally got that in the shape of “Wasp Star” the following year they were to eat humble pie and admit that the sound of Apple Venus was far more suitable to this mature stage of the band. “I’d Like That” is a very jumpy track, running through a plethora of chords in which only three strings are strummed most of the time. Only the E chord that is played after the “Sunflower” bit is played in full. Andy slaps his thighs as accompaniment, and his wordplay is delirious, dropping the names of famous couples in a tale of unrequited love that is just an inch from materializing – hence the overall optimism. Continue reading

Monster (REM) – Album Review

REM's Fourth Album For Warner. The Record Was Named "Monster". It Came Out In 1994.

REM's Fourth Album For Warner. The Record Was Named "Monster". It Came Out In 1994.

After the somehow pastoral textures of “Out Of Time” and “Automatic For The People” (with mandolins and orchestras taking center stage), nobody could have blamed the band if they wanted to rock out a little once more. And that is what they did on their 1994 release. Named “Monster”, it was a return to their basic sound, and one that elicited strong reactions both in the buying public and in critics. One thing is for sure: the album did leave no one indifferent.

Personally, I find the sound a little unimaginative, with the guitar always going “wahh, wahhhh, wahhhhh” and Michael’s voice left intentionally low on the mix and /or completely distorted (“I Took Your Name”). When the record kicks in (with the successful single “What’s The Frequency, Kenneth?”) I am momentarily thrilled, but I quickly become a bit bored until a couple of more subdued performances do roll in. These include the beautiful single “Strange Currencies” and the organ-pumped “Tongue”. The voice is crisp there, and it is easier to focus on the actual message. Continue reading

Live At The Isle Of Wight (The Who) – Album Review

Recorded In 1970 At The Isle Of Wight, The Who's Legendary Performance Was Finally Issued In 1996

Recorded In 1970 At The Isle Of Wight, The Who's Legendary Performance Was Finally Issued In 1996

It may sound incredible –  nay, it is incredible – but a live rendering of Tommy by the original lineup was not released until this double album was issued in 1996. The one landmark live disc by the band bypassed Tommy almost entirely. And the one “official” release that had a full performance was as diluted as it could ever possible be – it was part of the “Join Together” box set, with a trillion guest chirping in and a backing band as huge as to render the three surviving members irrelevant.

That was the reason everybody flocked to this when it was issued in 1996. We all had our appetites whetted the previous year, as a video of the performance was released by Murray Lerner. Although it was not the full performance, it sufficed to send everybody counting the days until a live CD was issued. And we didn’t have to wait that long, fortunately. Continue reading

Jamendo – Where Music Is Shared For Free

Jamendo

Name: Jamendo
URL: http://www.jamendo.com

As a musician, you have the right to decide how people will experience your work. You might feel like charging for it, and you might feel like uploading it at no cost. Both options are equally valid to me. Just because you are asking a price it does not mean that you are a despot with dollar signs rolling in your eyes. And just because you are giving it away without charging anything it does not mean that you are giving it away for nothing. The exposure is worth more than anything in the long run. And if you agree with that, I think this site will appeal to you. Continue reading