Skylarking (XTC) – Album Review (Part 2)

Posted on October 23, 2009 by Emilio Pérez Miguel

As you have just read, “Skylarking” was recorded under a guillotine-sharp atmosphere. Todd Rundgren was determined to produce, and Andy was determined to have his way as usual. You look up “falling out” in Wikipedia and you will probably come across this drawing of Todd that Andy made during the sessions:

Todd Rundgren

In hindsight, the right thing to say is that Todd saved XTC’s career. Andy readily admits it now. He infused the songs on offer (songs that were already very strong to begin with) with a sheen that was commercial without sacrificing any of the band’s trademark wit and whimsicality. This is evident the moment “Summer’s Cauldron” begins playing. A song that describes the inertia which characterizes these summer days when the whole world seems to be put on hold and life resembles an eternal vacation, it was a daring way to start the album made instantly approachable by the production. Continue reading →

Skylarking (XTC) – Album Review (Part 1)

Posted on October 22, 2009 by Emilio Pérez Miguel

The Front Cover. A Risque One Andy Had Drawn Was Rejected.

Skylarking was the album that managed to revive XTC’s career, a career that was at an all-time low ever since they had quitted touring. The two preceding albums (“Mummer” and “The Big Express”) had vanished without trace, and the predominant sentiment regarding the Swindon outfit was one of apathy.

Virgin was concerned about that, and proposed pairing the band with a producer whose ideas could complement XTC’s very own and redound to a creative goldrush. The choice of producer fell on Todd Rundgren, the American musician and producer known then for his work with Utopia. Todd was a no-nonsense person, and the relationship with Andy was to prove nightmarish from start to finish. This was to take an eventual toll on the band, and Colin actually decided to leave XTC as the sessions were climaxing. Continue reading →

Hatful Of Hollow (The Smiths) – Album Review

Posted on October 17, 2009 by Emilio Pérez Miguel

What Do People Keep In Their Heads?

The career of The Smiths was characterized by the (back then) inordinate number of compilations they were to issue. The first one saw the light shortly after the release of their eponymous debut, and it was named “Hatful Of Hollow”. The album comprised many songs recorded for radio shows, along with assorted A-sides and B-sides.

As I am sure you recall, one of the main problems the debut album had was that the production was not as punchy as it could have been. That meant the impact of its songs was somehow diluted, and since about half of the tracks that were found on the debut are played live on “Hatful Of Hollow”, this compilation has added appeal. Of these songs, the ones that work best are “Reel Around The Fountain” (the drums are so booming that it sounds like a different song) and an acoustic “This Charming Man” that is even janglier than the original cut. Conversely, “Still Ill” is not that appealing – maybe the added harmonica at the start and at the end is the problem. It just does not fit in. And the live “What Difference Does It Make?” and “You’ve Got Everything Now” are not that removed from the original performances as to make you rethink those versions. However, it is admirable how well Marr plays “What Difference Does It Make?” live, as in the studio more than 15 guitars had been combined. That doesn’t make the song better or worse, but it places his skills in a very favorable light.

One of the featured A-sides is “William, It Was Really Nothing”, a song many propound was about a romantic relationship Morrissey had with some journalist. It is a short and sweet song, but it is easily one of their least effective singles. And while “How Soon Is Now?” is included, the song had not been released as a single yet. Continue reading →

Jake Chen (Musefy) – Interview (Part 2)

Posted on October 14, 2009 by Emilio Pérez Miguel

This is the second and final part of the interview I conducted with Jake Chen from Musefy. You can read Part 1 by clicking here.

PART II

MUSIC & YOU

When did you become interested in music? What was the first album or single you ever purchased?

Oh man, I can’t remember that far back… I have to say at least before elementary school, since I was really excited during those days when you got the opportunity to try out all of the instruments. Then again, I was already set on the saxophone by then because of jazz music, and I suppose the saxophone really represented that style of music to me. As for that first album, I really can’t remember unfortunately, sorry 🙁 Continue reading →

Ego, Opinion, Art & Commerce (The Goo Goo Dolls) – Compilation Album (Part 1)

Posted on October 11, 2009 by Emilio Pérez Miguel

(What I Learned About) Ego, Opinion, Art & Commerce

You already know how enthusiastically I listen to the Goo Goo Dolls. Maybe such a prolonged keenness was the result of buying this compilation right after having purchased their “Greatest Hits Vol. 1” CD. You see, “(What I Learned About) Ego, Opinion, Art & Commerce” delves into their studio albums one by one and offers up the best songs from each one of these CDs. In many cases, alternate mixes and/or entirely rerecorded versions are featured.

What I like best about this compilation is the way it is structured. The six albums that are featured are “Goo Goo Dolls”, “Jed”, “Hold Me Up”, “Superstar Car Wash”, “A Boy Named Goo” and “Dizzy Up The Girl”. The tracks on the CD run from back to front. That is, rather than starting with the songs from the self-titled debut and taking you chronologically to the songs included in “Dizzy Up The Girl” the CD starts with the “Dizzy Up The Girl” material and goes all the way back to “Goo Goo Dolls”. You might think that such a thing is not a big deal, but I assure you it is. Think about it, many people are familiar with the more mature sound of the Goo Goo Dolls. Arranging the songs like this lets anybody trace the way that such a sound evolved. Continue reading →

Don’t Shoot Me I’m Only The Piano Player (Elton John) – Album Review

Posted on October 10, 2009 by Emilio Pérez Miguel

The Album Is Named After A Remark Elton Made To Comedian Groucho Marx During A Show.

This was my first Elton John album. I bought it on the strength of “Daniel”, a song I had always been moved by. I admit that even back then, when I had no other albums of his, I had certain a feeling when I listened to it… a sort of hunch that told me “this guy can do better”. And now, having listened to Elton’s output both sides of it, I am sad to say that the record is not only average at best, but it is also the point where his work became saccharine for all the wrong reasons.

To me, “Don’t Shoot Me…” marks the instance where singles began having priority over albums within Elton’s career. The problem was somehow more evident in forthcoming ’70s albums like “Goodbye Yellow Brick Road”, and the ’80s were characterized by such an issue, of course.

Of course, the two A-sides here are so monumental that everything is forgiven for a minute. In addition to “Daniel” (a top 5 hit) we have “Crocodile Rock”, Elton’s first chart topper and a song where the farcical element that many saddle Elton with is put to the best possible use. Continue reading →

At The Ryman (Emmylou Harris) – Album Review

Posted on October 7, 2009 by Emilio Pérez Miguel

The Album Earned Emmylou A Grammy

This celebrated live album had Emmylou backed by one of the best ensembles of her whole career (The Nash Ramblers), and it earned her a Grammy. The concert was so significant that the Ryman auditorium (which was set to be demolished) was actually preserved and remodeled.

The set Emmylou played that night paid equal debt to both classic and contemporary American tunesmiths. Songs by Stephen Foster (“Hard Times”) were played side to side with songs by John Fogerty (“Lodi”) and Bruce Springsteen (“Mansion On The Hill”).

The performance itself is not only very well-recorded, but Emmylou is charming from start to finish, interacting with the public at every turn, cracking jokes and narrating stories of her life on the road – the one before “Lodi” is one of the funniest I have ever listened to. Continue reading →

Duets (Emmylou Harris) – Album Review

Posted on October 4, 2009 by Emilio Pérez Miguel

A '90s Picture Of Emmylou Stands As The Cover Of The Album

As I mentioned in the general introduction, this was the first album by a country artist that I ever bought. Leaving aside the sentimental value that I consequently attach to the CD, I must say that it is consistently good – even when I know that it was assembled more or less in a hurry to capitalize on the success of the “Trio” album.

Emmylou’s duet partner include Gram Parsons, Willie Nelson, John Denver, Roy Orbison and Ricky Scaggs along with The Band and Southern Pacific (the band Stu Cook from Creedence Clearwater Revival was to join shortly).

The highlights of the record are undoubtedly the three songs that hit the top 10 upon their respective release dates: “Love Hurts” (with Parsons),”That Lovin’ You Feelin” (with Orbison) and the duet with John Denver on “Wild Montana Skies”. Continue reading →

MusicKO

We Built This City On Rock & Roll

Tag Archives: Music