Nonsuch (XTC) – Album Review

Nonsuch Was First Issued In 1992

Nonsuch Was First Issued In 1992

Nonsuch is a quintessential XTC album in all the good and bad aspects. It is an elegant and refined collection that engages our brains and lifts shadows off our dreams (IE the good aspects), and it is also an album that fared abysmally when released (IE the bad aspect). The good aspects are a merit of the band, and the bad aspect that was mentioned is attributable to the buying public and its limited sight. What makes it all the more aggravating is that the album is nothing short of masterful, and its mastery is nothing short of awe-inspiring. John Alroy cites Andy’s poetic skills, and it is hard to disagree with that. But it must be mentioned that Colin does not necessarily lag behind here – alright, a song like “The Smartest Monkey” could do with a better lyric, but the rest are up there with his best work: “My Bird Performs” is a great “happy with my lot” song, and “Bungalow” is amazing in the way it grows. While my favorite songs of his are the ones found within “Oranges & Lemons“, you can count Nonsuch as the second best.

Andy’s best moments here include “Rook” (a song he has defined as his most personal ever), the gorgeous “Wrapped In Grey” (a fitting epitaph for the band in hindsight) and “Then She Appeared”, a composition that employ an alliterative title to excellent effect.

The album opens with the MTV-popular “The Ballad Of Peter Pumpkinhead”, a song that some of you might also be familiar with since it was covered by the Crash Test Dummies for the movie “Dumb & Dumber”. They did it satisfactorily enough, and in case you are yet to sample XTC’s version here is the video:

Besides, the CD includes the mildly-successful “Dear Madam Barnum” (yet another character sketch, and yet another compelling one) and “The Disappointed” (which was chosen as a single). “The Disappointed” in particular is a very refined song, and if the album did not include “Wrapped In Grey” it would be the record’s definitive lyrical high point.

The album’s closer is “Books Are Burning”. The song is not necessarily hailed as one of Andy’s best moments on record. I think the problem arises from the stellar company that it has in Nonsuch, and from the somehow plain sentiment it conveys – “books are burning/and you know where they burn books people are next”. Personally, I find it a good idea to paint with more colors than one. A song like “The Disappointed” is great, but if you were to apply the same approach time after time it would end up being grating. A direct outlook is more thought-provoking than the long way around when it comes to most people, and I am sure Andy knew that. Continue reading

MTV Unplugged (10,000 Maniacs) – Album Review

Natalie Merchant Is Featured On The Cover Of 10,000 Manicas' MTV unplugged Disc

Natalie Merchant Is Featured On The Cover Of 10,000 Manicas' MTV unplugged Disc

This live recording acted as the original Maniacs’ swan song. Natalie Merchant departed after its release, and launched a solo career that started very promisingly. The Maniacs were to continue with viola player Mary Ramsey stepping in for Natalie. The MTV Unplugged disc was to produce the band’s one big hit, namely a cover of “Because The Night” that effectively became their calling card as far as casual listeners were (and are) concerned.

As I think you already know, I usually look askance at live albums. I do love live music, but I don’t enjoy listening to songs recorded live on a disc. Live music entails a communion that is not translated into digital tape. To me, a live album is only any good if you were there that day. It gives you the chance to relive what went down and do it all over again. Others might enjoy it, but enjoying something and being touched by something are two different things. But this particular live disc by the Maniacs is incredible – it is as enjoyable as it is touching. Maybe that is owing to the fact that they were going through the motions when they recorded it. The impending sense of separation might have given them a special cohesiveness that night. The fact is that as the first notes are strummed you feel such a sense of sadness and such a sense of joy that words will never suffice. The first song is “These Are Days”, and Natalie’s voice hints at the power she will unleash all through the concert

The setlist includes many songs from “Our Time In Eden” (“Candy Everybody Wants” is done delectably, and this version of “I’m Not The Man” makes me appreciate the studio take best) and “In My Tribe”. These include a lively “Like The Weather” with the percussion shining like a crazy diamond, and an effective “What’s The Matter Here” – I did never like the song, but Natalie provides such a realized delivery (especially the “and don’t you think/that I won’t use it” part) that it wins me over time and again. Continue reading

The Juliet Letters (Elvis Costello) – Album Review

Elvis Costello Posing With The Brodsky Quartet

Elvis Costello Posing With The Brodsky Quartet

It might seem incredible, but it is actually possible to pinpoint the moment Costello’s career went into definitive artistic overdrive. The year was 1993, and he released a full-length CD devoted to chamber music where the instrumental backing was solely provided by the Brodsky Quartet.

Costello learned to write and read music right there and then, and the decade was to be his most adventuresome ever. And believe me, that is quite frankly saying an enormity if we look at his previous output. During the 90s and right into the new millennium he was to release an album of undiluted pop with 60s stalwart Burt Bacharach, a country album (The Delivery Man), an album dominated by ballads (All This Useless Beauty), an orchestrated work named Il Sogno… and the rock and roll albums he did release were not up to his usual standards (When I Was Cruel), as if he had just outgrown the genre. He was to become acquainted with it once again in 2008 with the release of Momofuku. But the previous decade was to be a true creative windmill on the other side of the grass. Continue reading

Your Last Music – In My Time Of Dying

YourLastMusic
Name: Your Last Music
URL:  http://www.yourlastmusic.com

Not a single one among us would readily admit it, but those who love music like we do know perfectly well the music we want played when it is our time to go. If we said so aloud shock and acrimony would spread like a wildfire among our loved ones. In a certain (and solid sense) they are absolutely right. There is so much joy in life that just to think about something like that seems a betrayal. But what they fail to understand is that – to people to whom music means so much – a final song is the deepest show of affection. There is nothing morbid about it. Quite the opposite.

This new site made me think about that. Its name is illustrative enough: it lets you decide which songs will be played at your funeral. This is accomplished by creating an account and building up the list of songs you want played. The list will then be mailed to friends and relatives. Alternatively, those of you who are on Facebook (IE, 90 % of people I know) will be able to log in using Facebook Connect and avoid creating an account, which (although hassle-free) might be a bit tedious. Continue reading

Oranges & Lemons (XTC) – Album Review (Part 2)

This is Part 2 of the review. Head here for Part 1.

Colin’s contributions to XTC’s 1989 album come in the shape of “King For A Day”, “One Of The Millions” and “Cynical Days”. I must say that – in my opinion – he had never made such a sparkling contribution to an XTC album. “Skylarking” comes pretty close, but if I were hard pressed I would go for “Oranges & Lemons”. It seems to me that the pressure they all underwent during the “Skylarking” sessions enabled Colin to come up with songs he would have kept to himself otherwise. It is as if some barriers had been taken down, and this is specially true of the song “One Of The Millions” – “I never seem to do anything”, “I won’t rock the boat ’cause I’m scared what might happen”… If he is not speaking to his band mates, he is clearly speaking to himself.

A song which was virtually rewritten for the album was “Merely A Man”. Producer Paul Fox did really like the demo, but it turned out that Andy had written the tune as a wind-up for some music biz executives. Not to let their new (and young) producer down, he rewrote the lyrics and the song ended up being a standout, if only because of  Dave’s thundering performance. Continue reading

Oranges & Lemons (XTC) – Album Review (Part 1)

"Oranges & Lemons" Was Released in 1989

"Oranges & Lemons" Was Released in 1989

This was the first XTC album I set my hands on. I bought it used but in mint condition for a completely ridiculous amount of money, something like the equivalent to USD 2. Talk about bargains. Looking back, I can honestly say that this was the perfect introduction I could have had to these impassioned artistic rockers. The album has my favorite XTC song overall (“The Mayor Of Simpleton”), and that song in particular and the album on the whole made me pick up the craft of writing lyrics. I don’t think there is a better indicator of the transcendence a piece of art can have than that.

The record has 15 songs, and in more than a couple of instances it resembles the Dukes more than fleetingly. That is true not only when it comes to compositions like “Garden Of Earthly Delights” but also to the cover art, a happy 60s pastiche that once again showcase Andy’s visual skills.

Three singles were culled from the album: “The Mayor Of Simpleton”, “King For A Day” and “The Loving”. More importantly (and maybe even more uplifting for us fans), the band hit the road again to promote the album. But it is not that they “toured” in a conventional sense. Rather, they did several live radio shows to promote the album. They even played one with an audience of about 250 people, and everybody remarked how much Andy enjoyed it. Good for him. Those of us who are fond of the band admire him as an artist but dearly care for him as a person, and it must have been a touching moment for everybody who was there that day.
Continue reading

William Rodríguez (Tweet My Song) – Interview (Part 2)

Here you have the final part of the interview with William Rodriguez from Tweet My Song. You can read Part 1 right here.

PART II

MUSIC & YOU

When did you become interested in music? What was the first album or single you ever purchased?

I have always like music, the first album I might of bought was probably  something from El General ( a spanish Rap Artist)

Are you in a band yourself, or have you been in a band in the past? Is there a file on YouTube or elsewhere we could watch?

I am not in a band

Musical likes and dislikes? Favorite artists?

I like so many genres of music I can not pick a favorite it all depends on the mood that I am at a particular moment.
Continue reading

William Rodríguez (Tweet My Song) – Interview (Part 1)

This is the first part of the interview I had the pleasure of conducting with William Rodríguez, CEO/Designer of Tweet My Song, a service I reviewed here.  Part 2 of the interview (“Music & You”) is here.

Full Name: William Rodríguez
Age: 25
Startup: Tweet My Song
Position:  CEO/DESIGNER

PART I

THE STARTUP

Tell us a little about your startup. How was it conceived?

I was thinking of new ideas like I usually do on a daily basis. I had decided I needed something that can market itself. Twitter is the most viral thing on the internet right now so I decided to look at applications. I then evaluated niches I was interested in. I decided in making something for music. I then checked out twitpic.com and twitvid.com and looked to see if there was something similar in music and could not find anything. That’s when I knew I had to create something for the musicians out there to easily market their music to the millions of Twitter users.

What are its most distinctive features in your opinion?

Most distinctive feature is the easy and quick ability to upload your music to be tweeted to your followers and Tweetmysong.com’s followers.

What was the original launch date?

October 15, 2009 Continue reading

Tweet My Song – Share & Promote Your Music Using Twitter

Tweet My Song

Name: Tweet My Song
URL: http://www.tweetmysong.com

As everybody knows, Twitter is a messaging platform that lets people connect instantly via short messages that go by the name of “tweets”. Since it has an incredible flexible API, a lot of apps see release on a daily basis. This particular one caught my fancy since it is 100 % geared towards musicians.

As you can guess by glancing at its name, it will let you share your own music with everybody using Twitter. That is, you upload your song as an attachment to your tweet and then send both (the tune and the message) out at the same time. It is even possible to upload you own artwork, and once the message is out you are provided with a tracking tool to see who downloaded your song and so on. Continue reading